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Handbook for the new Paradigm
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A Personal Message for You
This is a point in the evolution of the planet that brings to the forefront of each individual's thoughts the question of why me, why now and what is really going on in the reality that is right now in the time we are experiencing. What really is going on behind the scenes we are aware of throgh the five senses? Why is there this feeling that there is more to the story than just appearances. Who indeed has set this up and is pulling the strings. Is it really just a group of somebodies that is in charge? If this is the case, then is the God thing really a hoax after all? There are those who believe that to be the true essence of the scenario. Fortunately for the good of all, that is not the Truth.
The truth is that there are multiple levels of activity behind what appears to be a play of incredible magnitude. Who then is writing the lines for the characters and what is the point of the script? Would you be surprised to learn that you are writing the lines and until you can figure out a point to the script, there is none? If that is the case, then which of hte individuals on that has decided that they would like to put forth their point in the script. There is just one problem with this: they have decided to put forth a focus within the play that is to be performed upon. In fact, the plan this group has in mind has a great surprise at the end for the audience and the actors on the stage. They intend to destroy the audience, the actors, the stage and the theatre.
Since the Creator of this theatre likes this particular theatre and thinks of it as a per project, this idea doesn't appeal to Him at all. Since He is not in the business of standing in the way of the creative presentations that are produced within its confines, then He is hoping that the audience will decide to make changes of their own. There is a type of presentation that involves participation of the audience other than just sitting and observing. The theatre entrepreneur is wondering whether if the play ybeing presented becomes obnoxious enough to the audience, will they simply walk away and withdraw their attention? This would then allow the cast and its directors to destroy themselves, but then the theatre owner does not want his property destroyed along with other solution. Perhaps there would be audience participation that would perhaps introduce some new characters that would create lines of script of their own. If a new story line could be introduced with characters that could change the ending, then the performance could be a comedy or a mystery or a love story rather than a tragedy. Maybe audience participation could indeed create a whole new genre of experience. Instead of depicting repetition of experiences already known, could the audience in the intensity of the desire change the story line, come up with a creative senario that would encompass possibilities not yet experienced? why not? The greater the desire for change, the greater the opportunity for creative new boundary-expanding story themes. Within the spontaneity of group focus, without the academic control of leadership with an intended purpose, conception outside of ordinary themes is not only possible, it is probable.
To what purpose is this discussion being instigated? It is time that you awaken to your responsibility to change the (destination of the) path you are now being pushed to take. It is far past the stage leading you. It is at the stage of pusing you. It is at the stage where resistance cannot be successful; therefore you are going to have to accommplish this by some other means. A way must be literally created that will bring about a solution. nothing that you have done before will accomplish a change in this situation.
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